Faye Wong's “Wonderful One†concert has ended more than 10 days ago, but it once again climbed up on Weibo’s hot search yesterday. The reason is that Hu Yanbin made a copy of the popular copy, from the technical point of view of the reasons for Faye Wong's voice - and VR live too much about the truth.
For this point, the author has already mentioned in previous related reports. In fact, this is what the people in the industry know.
Therefore, although the people in the relevant industry chain of the concert are optimistic about the benefits of the live video broadcast in the future, they think that it will be a "standard" for the concert, but it is also pointed out that this raises higher demands for the singer's "internal work." Off-sounding, fake singing, live tuner can make up for it, but the live output signal is not a little modified.
Therefore, it is better to practice songs and adapt to the future "live time."
After the concert of Faye Wong ended, more than 10,000 on-site audiences said it was very exciting, but 20 million users watching VR live streamed. Many public figures kept silent, except that Gong Linna bravely pointed out: “The most important reason for this is not that she sings badly but she does not practice.â€
When this was said, Gong Linna immediately became the target of public criticism. Hu Yanbin’s announcement yesterday was obviously not as brave as she was—he was on the technical route.
He said that Faye Wong's voice in the VR live broadcast is indeed a fact, but why the audience can not hear? Because the reduction of live audio is too high.
“The live sound reinforcement systems and equipment in the concert venues have touch-up functions. The pursuit of the sound field is shocking and nice. The reverberation and delay, as well as the space of the venue, will make the sound a lot more level and it will not be obvious.â€
In the VR live broadcast, "the audio broadcast technology is directly output, each channel is too clean, the voice is too real, this reality is not used by the audience."
As for the recording programs we are familiar with, such as "The Singer" and "China's Good Voice," "What is listening to studio music is almost always dealt with later."
Hu Yanbin said: “This is not wrong, it is a professional side of the industrialization process... But the live broadcast has always been too real, and it will enlarge the sound of inaccurate sound and unsteady atmosphere. It was originally not very bad, and it was particularly bad.â€
He stressed that through the failure of this VR live broadcast, the number of singers willing to try will be less and less in the future.
In the survey, the reporter also discovered that in fact many singers themselves do not like the live webcast, especially Hong Kong and Taiwan singers.
On the one hand, the VR live broadcasting technology is far from mature, not only fails to reach the pass line of resolution, but also fails to improve the interactivity of the content and has poor experience. On the other hand, brokerage companies, especially Hong Kong-Taiwan artists' brokerage companies, place more emphasis on "interests" and are more conservative. They will ask: "How does copyright work? How long does the network exist? What if an artist wants to post a DVD?"
Nowadays, the more conservative the artists are, the more conservative they are. They are those who have just made their debut and are not very famous. They like to put the performance on the Internet for free and they become a way of promotion.
However, concert practitioners are optimistic about the future of live video, "Western style", "to come", will become the norm.
Therefore, just as Hu Yanbin finally agreed with Gong Linna: No matter how good you once sang, it was a very important thing for artists to return to the stove. Only by continuous practice and breakthrough can the best state be maintained forever.
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