4 big TV station 2016 monkey year spring evening stage display technology full interpretation

In recent years, the continuous development of stage display technology has enabled the Spring Festival Evening to start moving from purely artificial performances to visual effects. The creation of "artifacts" with special effects such as holographic projection and augmented reality has become the new favorite on the stage of the Spring Festival Evening. The stage scenery that echoes the various programs is agile and changing, giving the audience a perfect visual effect.


The CCTV Spring Festival Gala broadcasted on the live broadcast has high requirements for the duration of each program, the accuracy of the integration of special effects, etc., especially the interaction between some performers and special effects technology, which is very important for the former technical designers. Big test. Many people think that the Spring Festival Evening has been too formal in the past few years to ignore the content, but technically speaking, the Spring Festival Evening of each year is a concentrated expression of national strength and technology.



CCTV


Compared with the technical performance on the stage of the Spring Festival Evening in previous years, the 2016 Year of the Monkey CCTV Spring Festival Evening has no special innovation in technology. For the audience in front of the TV, the four venues in different regions bring more freshness. The performances of the venues with strong regional characteristics make the annual taste stronger than in previous years. Although the stage effects are not the focus of presentation, the visual perception brought by the flexible stage setting is still very beautiful.


The "Shanshui China Beauty" jointly performed by Lin Xinru, Liang Qiqi and Liu Tao was highly praised in the Spring Festival Evening of the Year of the Monkey. In addition to the audience's recognition of the three powerful beauty, the LED column screen with freely adjustable combination is also the same. Great contribution. On the stage, the LED large screen + column screen displays the Chinese style of the mountains surrounded by mountains and mountains, and they are all dynamic scenes, and the waterfall scene is realistic. The LED screens that make up the lifting stage can be displayed in a single block, and can be displayed in multiple blocks, which is more flexible on the stage.



It is understood that the main screen of the stage and the six cylindrical screens are all from Lusheng Optoelectronics. The main screen of the stage is the P3.75 product. This 480mm*480mm die-cast aluminum product has been in service for nearly 4 years in CCTV. After debugging, the display effect is still new. The six cylindrical screens are made up of Lusheng PH3.9 carbon fiber series products. The product has a cabinet size of 500mm*500mm, a total thickness of 49mm, and a single box weight of 3.5KG. The thin and light cabinet and humanized structure design bring great convenience to the construction, reduce the load-bearing load of the stage and meet the changing needs of the stage. In addition to the Spring Festival Evening stage, Lusheng PH3.9 carbon fiber series products are also used in CCTV "Reminiscence Spring Festival" "Spring Festival Countdown" and other programs, with a total area of ​​550m2.



The ground in the center of the stage this spring and evening is deconstructed into a number of rectangular LED displays . These cuboids can rise and fall to any height, which is very eye-catching. In addition, the color screens on both sides of the stage and the colorful LED square buckets above the auditorium are very eye-catching, and the main screen forms a complete and unified dance effect of the Spring Festival Evening. In addition to the main screen and six cylindrical screens, the LED display, LED bucket and color screen of the lifting platform are all from the famous dance beauty company Jin Lixiang.



Control system supplier Mosier provided three products for the main screen of the Spring Festival Evening and six cylindrical screens: the sending card T20, the receiving card V51, and the intelligent power supply MUP150. Mosier's entire LED display control system can restore the true color of the video through complementary colors, and the unique algorithm achieves low brightness and high gray to ensure display quality. At the same time, the network cable, video dual backup and intelligent power supply can be used to achieve a black screen, to prevent broadcast accidents.



The video processing and splicing equipment comes from Xiamen Vision Technology: the main screen uses 5 video splicers VSP3600 for super-resolution video synchronization and seamless splicing; the six cylindrical screens on both sides of the stage use two VENUS X3 The video processor (one standby machine on each side) realizes seamless synchronization of video synchronization; 20 compact video matrix DXPD0808 is used in the field to provide unified and secure management for signal source allocation.


Liaoning Satellite TV


Liaoning Satellite TV Spring Festival Evening uses holographic projection technology as a medium to vividly interpret the different monkey king feelings for the public. "Golden Monkey Spring" is divided into three parts: the water curtain hole monkeys spring, the seven fairy interactions and the Monkey King seventy-two changes. On the stage, the six-year-old boy teacher wearing a red Tang suit changed into the image of the Monkey King from time to time, and was able to enter the sky and interact with the images of the Monkey Monkey and the Seven Fairies. The visual effect of the stage was very shocking.



The holographic projection technology used in "Golden Monkey Spring" is not unfamiliar to everyone. It is the same as the holographic projection technology used in the CCTV Spring Festival Evening in 2015. In the performance of the show, in addition to the image of the six-year-old Tongzun, all other images and special effects scenes are presented on the transparent holographic film by holographic projection, but from the perspective of the audience, the performance is realized. The perfect blend of the special effects image. The principle of the holographic projection technology of the Spring Festival Gala is as follows.



Beijing Satellite TV


The unprecedented 360-degree stage design of Beijing Spring Festival Evening has produced a superb visual art feast. We saw that the entire Grand Theatre (backstage, auditorium of the ear table) has become the stage of the Spring Festival Evening, with a recording area of ​​nearly 3,000 square meters, in order to create a happy scene of the 2016 Beijing TV Spring Festival Evening "Monkey King's Day" The entire stage design presents the scene of the Temple of Heaven. The dreamy "Tiangong" scene is presented through the large screen LED.



Such a huge stage lineup is made up of a number of giant LED large screens of different shapes. In order to create a rich level and shape of the entire stage, all the large screens of the stage facade are available in several different sizes and sizes. These irregular large screens are an important desktop for this feast of visual beauty. The background atmosphere of all the shows and the visual effects on the scene will be presented on these large screens.


Anhui Satellite TV


The field ball matrix technology is used to realize the change of various stereoscopic graphics through intelligent programming control, which makes the stage background very visually impactful. Three virtual positioning cameras, together with the "flying cat" and "electric rabbit" technology, to create a full range of video systems. In addition, Hefei University of Technology also specially designed a novel and interesting "Human-Machine Dance" program for the party - "Space Walk", which added a festive atmosphere to the party.


The performance of the special effects on the stage of the Spring Festival Evening has always been widely praised. Whether it is a multifunctional LED screen that can be flexibly combined or a holographic projection technology, the visual perception experience has been raised to a new height, which is thirty or even twenty years ago. What the program production team can't imagine.

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